This is how it starts
Friday, September 16, 2011 at 11:02 PM
Writer's Cramp in inspiration, miscellany, process, storytelling in all its forms

On my way to meet coworkers for lunch today, I drove past a wheelchair that appeared to be chained to a stop sign. I did a double-take: yep, definitely chained, to a stop sign, with a padlock and everything.

The wheelchair itself was empty, and there was no one else around, but there were well-used chair pads and stickers and bags hanging from the handle. Signs that it was someone’s primary location during the waking hours of the day.

The whole drive to the restaurant, I wondered about it. Where was the wheelchair’s occupant? Were they wheelchair-bound but not paralyzed? Had they gotten up out of the chair and walked away? And if they did, why? Why there, at that stop sign marking a low-traffic intersection, with the wheelchair parked on the edge of a high curb? If they didn’t, had someone carried them? Had they gone willingly? Had they been kidnapped? Carted off in an ambulance? And why the chain? Presumably so it wouldn’t be stolen, but why leave it there in the first place?

It occurred to me how someone who’s paralyzed and confined to a wheelchair truly is confined, without any need for walls or bars or anything. I mean, we spend millions and millions of dollars trying to keep people confined to a building with cement block walls and miles of razor wire-topped fences, but for someone whose only means of mobility is a wheelchair, it would take nothing more than a bike chain and padlock to doom them.

A snippet of a short story started to stir. A dark and gothic sort of story, one that would end with the main character, a man paralyzed and confined to a wheelchair, chained to a post and left to die. He wouldn’t even have to be a criminal…. Perhaps he had crossed paths with a psychopath, one who didn’t go in for all that gruesome stabbing or strangling nonsense but still felt an urge to kill. Or he was a gambler who got in too deep, and since there was no point in kneecapping him, his bookie’s hired thugs got the easiest enforcement gig they’d ever been assigned. Maybe he was a mafia informant and someone ratted him out to the mob boss. Or maybe he was an eccentric millionaire in a big mansion with no relatives and a staff that he bullied relentlessly, and one day, his butler just had his fill of all the abuse.

Perhaps it wouldn’t have to be such a dark tale. Maybe he wasn’t such a bad guy, and had some family, but they were gold-digging layabouts and anxious to get their hands on his fortune. In that tale, maybe the story starts with him in his wheelchair, chained to a pole (or a tree? a fence? a broken down car, for a bit of ironic symbolism?), and it’s all about how he managed to save himself, and what he went through to survive.

Welcome to my brain. It’s scary in here.

Article originally appeared on B. Jenne' Hall: writing and other pursuits (http://www.bjennehall.com/).
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